this one's a more direct comparison between Welles and German Expressionism - we have a shot from Fritz Lang's Kriemhild's Revenge (1924) and Orson Welles's Touch of Evil (1958) - both shots superimpose a character over a horned beast in overt symbolic connotations (on the top, that's Attila the Hun, behind some monster statue, the horns aren't coming out of his head...)24.5.07
Fritz Lang's Kriemhild's Revenge (1924) and Orson Welles's Touch of Evil (1958)
this one's a more direct comparison between Welles and German Expressionism - we have a shot from Fritz Lang's Kriemhild's Revenge (1924) and Orson Welles's Touch of Evil (1958) - both shots superimpose a character over a horned beast in overt symbolic connotations (on the top, that's Attila the Hun, behind some monster statue, the horns aren't coming out of his head...)
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